A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. The photographer becomes jealous of his wife's bonding with the driver. In a series of flash-forwards, the photographer stages identical dinners with several women, who pretend to talk on the phone while he writes. His wife, now estranged from him, leaves repeated messages on his answering machine, asking why he never contacts her. Yet another thought-provoking look into strange, intertwined relationships from the always enigmatic Egoyan.

Like Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with faded videotapes of her show--and, as we eventually discover, often takes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penny ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen Murphy

This remarkable, intricate movie from Atom Egoyan (The Sweet Hereafter) centers around the making of a film about the genocide of Armenians in Turkey in 1915--but this is not a dry, didactic historical re-enactment. Ararat unspools multiple storylines around Ani (Arsinee Khanjian), an art historian hired as a consultant on the film; her son Raffi (David Alpay); his stepsister, with whom Raffi is in love even though she believes that his mother is responsible for her father's suicide; an actor (Elias Koteas) hired to play the Turkish officer who organized the genocide; and a customs officer (Christopher Plummer), who holds Raffi for questioning under suspicion of smuggling heroin. All these characters, combined with the movie within the movie, intertwine in a complex yet powerfully emotional examination of memory (both cultural and personal), loyalty (to one's family, to one's heritage), creativity, and the subjectivity of truth. --Bret Fetzer

SOLDADOS DE SALAMINA: El escritor Rafael Sánchez fue fusilado en los últimos días de la Guerra Civil española, sin embargo, logra huir por el bosque y esconderse. A pesar de que un soldado que rastreaba la zona lo vio, lo dejó escapar. Una novelista, tiempo después, se da a la tarea de encontrar y unir las piezas de esta contradictoria y enigmática historia, sin saber que en el camino se encontrará con varias cosas, incluso con ella misma... DULCE PORVENIR: En un pequeño poblado, la comunidad tiene que enfrentar un trágico accidente que mata a la mayoría de los niños de la ciudad. Un abogado se da a la tarea de visitar a los dolientes padres para encausarlos en una patética demanda legal contra aquel que pueda ser responsabilizado de la tragedia. Pero solo una joven, también víctima del espantoso accidente, podrá combatir la furia y rabia de los padres en su triste búsqueda por encontrar culpables. EL SECRETO DE VERA DRAKE: Londres, 1950. Vera Drake vive con su esposo Stan y sus hijos Sid y Ethel, de una forma modesta pero lo más cercano a la felicidad. Sin embargo, detrás de esta tranquila existencia, Vera guarda un oscuro secreto: sin aceptar pago alguno, ayuda a mujeres a terminar con embarazos indeseados. Cuando una de las jóvenes cae en el hospital luego de uno de estos abortos clandestinos, la policía encuentra a Vera y su mundo comienza a derrumbarse..

Netherlands released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), Dutch ( Subtitles ), SPECIAL FEATURES: Box Set, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a therapist videotapes them. After Peter watches his tape, he views the tape of a troubled Armenian family, who gave their only son away for adoption when they arrived in Canada. Peter decides to visit this family, and he pretends to be their son, Bedros Deryan. The Deryan family welcomes him with open arms, and Peter tries to patch up the poor relationship between George Deryan and his daughter Azah.

Netherlands released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), Dutch ( Subtitles ), SPECIAL FEATURES: Box Set, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: Van's father, Stan, is fond of video, always taping scenes of daily family life. But he does not take care of Van's grandmother, Armen. Although he could afford having her at home, she is spending her days watching TV in an old people's home. Van often visits her. He meets Aline, whose mother is in the next bed. Van wants to get his grandma out of the old people's home. Aline will help. Actually, Van, whose mother left, years ago, is looking for a real family life. SCREENED/AWARDED AT: Toronto International Film Festival,

Netherlands released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), Dutch ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Box Set, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: The 'Exotica' is a nightclub on the outskirts of Toronto, where Eric, DJ and MC, watches nightly as his ex-girlfriend Christina performs. Watches jealously, especially as far as the extra attentions regular customer Francis garners are concerned. Thomas, meanwhile and erstwhile, goes through a series of, um, interesting situations involving his pet shop, a gruff taxi-sharing stranger, unexpected tickets to the opera and smuggled eggs of a rare bird. Multiple story lines unfold in a splendid tangle of cutbacks, forward and backward references and recurring themes, all woven around the Exotica, its customers and employees. A calm roller-coaster ride of a movie, visually and intriguingly and emotionally moving. O, and the sound track is notable, too. SCREENED/AWARDED AT: Cannes Film Festival, Toronto International Film Festival,

Like Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with faded videotapes of her show--and, as we eventually discover, often takes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penny ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen Murphy

Australia released, PAL/Region 2.4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), ANAMORPHIC WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Filmographies, Interactive Menu, Photo Gallery, Trailer(s), SYNOPSIS: Atom Egoyan's haunting adaptation of the Russell Banks novel The Sweet Hereafter was the Canadian filmmaker's most successful film to date, taking home a Special Grand Jury Prize at the 1997 Cannes Film Festival and scoring a pair of Academy Award nominations, including "Best Director." Restructured to fit Egoyan's signature mosaic narrative style, the story concerns the cultural aftershocks which tear apart a small British Columbia town in the wake of a schoolbus accident which leaves a number of local children dead. Ian Holm stars as Mitchell Stephens, a big-city lawyer who arrives in the interest of uniting the survivors to initiate a lawsuit; his maneuvering only drives the community further apart, reopening old wounds and jeopardizing any hopes of emotional recovery. Like so many of Egoyan's features, The Sweet Hereafter is a serious and painfully honest exploration of family grief; no character is immune from the sense of utter devastation which grips the film, not even the attorney, whose interests are in part motivated by his own remorse over the fate of his daughter, an HIV-positive drug addict. A sobering, beautifully-realized examination of the ties that bind -- and which can be severed at any time. SCREENED/AWARDED AT: Cannes Film Festival, Film Critics Circle of Australia Awards, Oscar Academy Awards, Toronto International Film Festival,