Takada, a Japanese fisherman, has been estranged from his son for many years, but when the son is diagnosed with terminal cancer his daughter-in-law, Rie, summons him to the hospital. When his son refuses to see him, Rie gives him a videotape about the work his son was doing on a documentary film in a remote region of China’s Yunnan province. Still troubled by the relationship, Takada decided to complete his son’s work in part to develop an understanding of his son, and in part to do something for him. Once in China, a series of obstacles and relationships bring him unexpectedly closer to both an understanding of himself and of his son.

Zhang Yimou's heartfelt feature about cultural displacement, grief, and reconciliation is a lovely and somewhat unexpected work from the director of Raise the Red Lantern and House of Flying Daggers. Japanese actor Ken Takakura stars as Gou-ichi Takata, a laconic man who lives in a fishing village and is estranged from his son. When word reaches him that his son is ill with cancer, Takata travels to Tokyo but is turned away. Takata learns that his son has a passion for rural Chinese folk opera, and he flies to mainland China to locate Li Jiamin (playing himself), an opera star who happens to be in jail at the moment. Takata's story reminds Li of his own sad disconnection from his young son, and Takata sets out to restore their relationship as a prelude to helping his own with Li's help. Zhang himself is unusually operatic here, with intense emotions flying around, prettified visions of nature, and characters--including prison guards and peasants--who seem idealized, both as folklore and even old, Maoist notions of cooperation. Zhang's longtime admirers will appreciate and understand this change of pace from a filmmaker whose relationship with Chinese officials has often been strained over content. But film fans less familiar with his body of work will enjoy Riding Alone as well. --Tom Keogh

Stills from Riding Alone for Thousands of Miles (click for larger image)

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